Tag Archives: New Perspectives in Edward Albee Studies

Volume 5 of “New Perspectives in Edward Albee Studies” Published

New Perspectives in Edward Albee Studies Cover

The cover for Albee Abroad
(Photo by Brill)

Brill has published the fifth and final volume of “New Perspectives in Edward Albee Studies,” Albee Abroad edited by Esther Santana! Visit the Brill website for complete details.

The final volume of the New Perspectives in Edward Albee Studies series expands the analyses of Edward Albee’s theatre beyond Anglophone countries. Ranging from academic essays, performance reviews, and interviews, the selected contributions examine different socio-political contexts, cultural dynamics, linguistic communities, and aesthetic traditions, from the 1960s to our contemporary days. Albee Abroad gladly brings together varied voices from Czech Republic, People’s Republic of China, Brazil, Iran, Germany, Spain, and Greece, thus enriching Albee scholarship with more plural tones.

The table of contents includes:

Introduction
Albee around the World
Author: Michael Y. Bennett

Chapter 1 “A Constant Struggle for Freedom: Edward Albee in Czechoslovakia and the Czech Republic”
Author: Tomáš Kačer

Chapter 2 “I’m Not There: Toward Albee’s Reception in China”
Author: Eddie Hanchen Feng

Chapter 3 “A Volcanic Contribution: The Zoo Story and the 1960s Brazilian Stages”
Author: Esther Santana

Chapter 4 “Edward Albee on Iranian Stages: A Critical Ethnography”
Authors: Mohammadali (Al) Dabiri and Deniz Khateri

Chapter 5 “American Absurdism as Philosophy: Edward Albee in Germany”
Author: Philipp Reisner

Chapter 6 “The Communication Paradigm in Recent German Albee Scholarship: A Review Essay”
Author: Philipp Reisner

Chapter 7 “Edward Albee’s 21st Century Spanish Canon: Bringing It Up to Speed or Honoring the Tradition?”
Author: Ramón Espejo Romero

Chapter 8 “Albee’s Greek Legacy in The Goat or, Who Is Sylvia?”
Author: Antonia Tsamouris

Chapter 9 “Interview: Philip Arnoult on Albee’s International Leadership”
Author: Natka Bianchini

Thanks to our series editor, Michael Y. Bennett, and our associate editor, Maija Birenbaum!

For more information about “New Perspectives in Edward Albee Studies,” visit our Book Series page.

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Volume 4 of “New Perspectives in Edward Albee Studies” Published

Brill has published the fourth volume of “New Perspectives in Edward Albee Studies,” Albee and Influence! Visit the Brill website for complete details.

The volume contains essays, written by leading Albee scholars, that focus on literary and philosophical influences on Edward Albee’s plays as well as essays on writers and works that Albee influenced. Essays focus on Albee’s relationship with such major American playwrights as Thornton Wilder, Amiri Baraka, Sam Shepard, Lanford Wilson and John Guare. There are also contributions on Albee’s work as mentor to young playwrights. The volume also includes an interview with award-winning director Pam McKinnon.

The table of contents includes:

“Introduction”
John M. Clum

“Part 1 Influences on Albee”
Editors: John M. Clum and Natka Bianchini

  • Chapter 1 “‘Lean[ing] against a Proscenium’: Edward Albee’s Me, Myself & I as Homage to Thornton Wilder”
    Author: Lincoln Konkle
  • Chapter 2 “‘The Opposition of Artworks to Domination Is Mimesis of Domination’: Albee via Adorno as a Conduit for Postmodern Playwriting”
    Author: David Marcia
  • Chapter 3 “Animal Sacrifice in Albee’s Plays and Its Influence on the Contemporary Stage”
    Author: Philipp Reisner

“Part 2 Albee’s Influence”
Editors: John M. Clum and Natka Bianchini

  • Chapter 4 “Love and Lies in the Living Room Dramas of John Guare, Tennessee Williams, and Edward Albee”
    Author: Michael Y. Bennett
  • Chapter 5 “Dramatic Dialogue: Amiri Baraka’s Response to Edward Albee’s Influence”
    Author: Douglas S. Kern
  • Chapter 6 “‘To Fail … and to Fail Interestingly’: Edward Albee, Sam Shepard and The Playwrights Unit”
    Author: Shannon Blake Skelton
  • Chapter 7 “Self-Constructed Dramatists: Edward Albee and Lanford Wilson as Outsider Playwrights”
    Author: David A. Crespy
  • Chapter 8 “Resistant Influencer: Edward Albee and Queer Plays of the 1960s”
    Author: Lesley Broder
  • Chapter 9 “‘Laughter and Pain’: Edward Albee and Nicky Silver”
    Author: John M. Clum

“Part 3 Interviews”
Editors: John M. Clum and Natka Bianchini

  • Chapter 10 “Interview: Director Pam MacKinnon on Finding the Artistic ‘Spine’ of Her Career and Working with Albee”
    Author: Natka Bianchini

Thanks to our series editor, Michael Y. Bennett, and our associate editor, Maija Birenbaum!

For more information about “New Perspectives in Edward Albee Studies,” visit our Book Series page.

 Albee and Influence Cover

The cover for Albee and Influence (Photo by Brill)

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Brill Backlist Book Sale

New Perspectives in Edward Albee Studies CoverAdd back volumes of New Perspectives in Edward Albee Studies or other Brill titles to your library: During the Brill Backlist Book Sale you may purchase all backlist titles at 40% off the list price. The sale runs until 31 December 2020. Just reference offer code 71276 with your order. For more details and to browse titles, please visit the Brill website.

Published by Brill, New Perspectives in Edward Albee Studies—a publication of The Edward Albee Society—is a book series that provides an outlet for scholarship and criticism on, or related to, Edward Albee and his works. Annual volumes feature original, academic essays, review-essays, and occasional interviews centered on a special topic. Each volume is edited by a different Editor. The book series welcomes and encourages different critical and theoretical scholarly approaches to Albee studies. In keeping with Albee’s own view that drama is literature, New Perspectives in Edward Albee Studies is also very interested in essays that examine Albee’s plays as dramatic literature.

For more information about New Perspectives in Edward Albee Studies, please visit our Book Series page.

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Call for Submissions: Edward Albee Abroad

Call for Submissions for Volume Five of New Perspectives in Edward Albee Studies, the Official Publication of the Edward Albee Society. Published annually by Brill.

(Volume One, Edward Albee and Absurdism, published January 2017, Volume Two, Sex, Gender, and Sexualities in Edward Albee’s Plays, published March 2018, Volume Three, Edward Albee as a Theatrical and Dramatic Innovator, published May 2019, Volume Four, Edward Albee: Influences and Influencer forthcoming, early 2021.)

Topic: Edward Albee Abroad

We are seeking essays that explore Albee’s work, influence, and reach abroad (i.e., outside of the American theatre). We encourage submissions from graduate students as well as established scholars or theatre professionals from any approach (e.g., theatre history, performance studies, literary theory and criticism), as well as those who have worked with Mr. Albee in any of the above activities.

Please contact both the Series Editor, Michael Y. Bennett (email: bennettm@uww.edu), and Volume #5 co-Editors, Esther Marinho Santana (email: esther.mrst@gmail.com) and Valentine Vasak (email: valentine.vasak@gmail.com). For submission guidelines, please see the general call for submissions on the Edward Albee Society website:

http://edwardalbeesociety.org/new-perspectives-in-edward-albee-studies-a-book-series/call-for-submissions/

Deadline of submission for completed manuscripts: January 31st, 2021.

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Volume 3 of “New Perspectives in Edward Albee Studies” Published

Brill has published the third volume of “New Perspectives in Edward Albee Studies,” Edward Albee as Theatrical and Dramatic Innovator! Visit the Brill website for complete details.

The publication offers eight essays and a major interview by important scholars in the field that explore this three-time Pulitzer prize-winning playwright’s innovations as a dramatist and theatrical artist. They consider not only Albee’s award-winning plays and his contributions to the evolution of modern American drama, but also his important influence to the American theatre as a whole, his connections to art and music, and his international influence in Spanish and Russian theatre.

The table of contents includes:

“Editors’ Introduction”
David A. Crespy and Lincoln Konkle

“Designing Edward/Edward Designing: A Brief History of Edward Albee’s Role in Theatrical Design”
David A. Crespy

“Theatrical Thanatology: Direct Address, Gestural Storytelling, and the Triple Goddess in Three Plays about Dying by Edward Albee”
Milbre Burch

“The Glee of Vulnerability: Becoming Kin with Edward Albee’s Goat”
Parisa Shams

“A Queer Reading of Love in Edward Albee’s Counting the Ways
Ashley Raven

“Albee Stages Secular Epiphany”
Nathan Hedman

“Art Is a Hammer: Aura, Textual Awareness, and Comedy in Albee”
David Marcia

“Affecting the Lives of ‘Others’: The Journey of Albee’s Plays in the Soviet Union”
Julia Listengarten

“The (Mis)Representation of Edward Albee in Spain, 1963–2010”
Ramón Espejo Romero

“Inside the Black Box: Albee’s Visual Aesthetics of Obscurity”
Valentine Vasak

“‘I Trap People’: An Interview with Edward Albee”
Jackson R. Bryer

Thanks to our series editor, Michael Y. Bennett, and our associate editor, Maija Birenbaum!

For more information about “New Perspectives in Edward Albee Studies,” visit our Book Series page.

 Edward Albee as Theatrical and Dramatic Innovator Cover

The cover for Edward Albee as Theatrical and Dramatic Innovator (Photo by Brill)

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Call for Submissions: Edward Albee’s Influence on American Drama

Call for Submissions for Volume Four of New Perspectives in Edward Albee Studies, the Official Publication of the Edward Albee Society. Published annually by Brill.

(Volume One, Edward Albee and Absurdism, published January 2017, Volume Two, Sex, Gender and Sexualities in Edward Albee’s Plays forthcoming, March 2018.)

Topic: Edward Albee’s Influence on American Drama

We are seeking essays that explore Albee’s influence and reach in the American theatre. This could include playwrights whom he mentored directly, playwrights who were inspired by him, his role as director of both his own and others’ work, collaborators who worked with him, and artists whose own careers were in some way shaped by him.

In particular, we are interested in essays on any or all of the following topics:

  • The work of the Playwrights Unit, part of Albarwild Theatre Arts, Inc.
  • Albee’s mentorship of playwrights such as Adrienne Kennedy, Lanford Wilson, Amiri Baraka, Terrence McNally, Megan Terry, John Guare, A.R. Gurney, Sam Shepard, and others
  • Albee’s partnership with the Cherry Lane theatre and his contributions to off-Broadway theatre
  • Imitators of Albee’s Style
  • Albee as professor and his work in the academy
  • Albee’s influence on LGBTQ theatre

We encourage submissions from graduate students as well as established scholars or theatre professionals from any approach (e.g., theatre history, performance studies, literary theory and criticism), as well as those who have worked with Mr. Albee in any of the above activities.

Please contact Volume Editor Natka Bianchini (nbianchini@loyola.edu) for queries, proposals, and/or submissions. For submission guidelines, please see the general call for submissions on the Edward Albee Society website:

http://edwardalbeesociety.org/new-perspectives-in-edward-albee-studies-a-book-series/call-for-submissions/

Deadline of submission for completed manuscripts: November 15, 2018.

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Call for Submissions: Edward Albee as Dramatic and Theatrical Innovator

Call for Submissions for Volume Three of New Perspectives in Edward Albee Studies, the Official Publication of the Edward Albee Society. (Published annually by Brill from which Volume One, Edward Albee and Absurdism, is now available)

Topic: Edward Albee as Dramatic and Theatrical Innovator

We are seeking essays that explore Albee’s plays for innovations in theatrical style, dramatic structure, creation of great characters (from both a performance and observation of human behavior perspective), and subject matter (e.g., mistreatment of the elderly, reversal of gender roles in conventional marriage, death and dying).

In addition, we welcome essays that explore Albee’s innovative work in a variety of roles and venues other than as author of plays produced in theaters, for example:

  • The Last Frontier Conference in Alaska
  • The William Flanagan Memorial Creative Persons Center (The Edward Albee Foundation)
  • Albee’s teaching at the Universities of Houston and Princeton, and his visits to colleges and universities to participate in conferences or give talks, and mentorship of student playwrights.
  • His mentoring at Signature Theatre and Cherry Lane Theatre
  • His international engagement as an ambassador of PEN and International Theatre Institute
  • His curating of art exhibits, and support of specific visual artists (and artists of any type).

We encourage submissions from graduate students as well as established scholars or theatre professionals from any approach (e.g., theatre history, performance studies, literary theory and criticism), as well as those who have worked with Mr. Albee in any of the above activities.

Please contact either/both of the Editors, David Crespy (CrespyD@missouri.edu) and Lincoln Konkle (konkleli@tcnj.edu) for queries, proposals, and/or submissions. For submission guidelines, please see the general call for submissions on the Edward Albee Society website:

http://edwardalbeesociety.org/new-perspectives-in-edward-albee-studies-a-book-series/call-for-submissions/

Deadline of submission for completed manuscripts: November 15, 2017.

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Winter 2015/2016 E-Newsletter

Dear Colleague,

This is an update on our activities at the Edward Albee Society, and a plea for your membership dues and/or donations for the year ending in 2015. The Albee Society is a 501C3 not-for-profit organization, and your donations are tax deductible. We are slowly paying our web-designer, Alex Poulus, for his incredible work on the website’s original design; but we would like to make sure he receives full payment by year end 2016. And with your help and generosity, we are going to create some new members-only content for 2016, including interviews with major theatre artists and their work with Edward Albee. At this point, only a small portion of our email recipients are actually paid members, and we could really use your help – a membership is only $30.00, but every membership counts.

In January, we’ll be sending Edward Albee Society members Lincoln Konkle’s interview with playwright/writer and producer of Showtime’s Shameless/fan of Edward Albee, Sheila Callaghan. This will be announced also on the EAS website and FB page, but for members who have paid their dues for 2015-2016, we will email them the entire interview with Sheila about how she was influenced by Albee, her favorite Albee play, etc., and also questions about being a playwright in 21st c. America, and what it’s like to write episodic television.

And we ask that not only our current members update their membership for 2016, but that you encourage your colleagues to join our organization, which has grown substantially since our founding in 2013. And let them know they can now join ONLINE using PAYPAL at our website: http://edwardalbeesociety.org/membership/. It’s easy and fast, and if you go to our membership tab, you will find information on how to join either online or via mail. Membership for one year is $30; Lifetime Membership is $300, and again, any donations are gratefully accepted.

But, in addition to your membership and donation, we need your active involvement. In the Conference section of our e-newsletter, you’ll find a CFP from Natka Bianchini, and we encourage you to submit Albee-based papers and panels for this conference, but also for other conferences such as ASTR, ATHE, MATC, and other major conferences. We are also interested in hearing about any productions of Edward Albee’s plays. This January, I’ll be presenting as a visiting scholar at the New Stage Theatre in Jackson, Mississippi which will be producing a fiftieth anniversary production of Who’s Afraid of Virginia Woolf? New Stage Theatre first produced Who’s Afraid of Virginia Woolf? on January 25, 1966 – an historic event for Jackson and as Jim Miles, a founding member of New Stage Theatre, said it was “a challenging time, charged with very strong feelings about the civil rights issues of the day. And those feelings, by some, naturally spilled over to considerable resistance to change of most any kind.” We will be providing some wonderful historical coverage of this groundbreaking original production, and the current production, and my talk at New Stage Theatre on our Facebook page in 2016.

Thank you again for your membership contribution–it will go a long way to helping us build our website, our book series, and conference coordination. And let me know how you’d like to be more involved in our organization – each year we’re growing and we have exciting news for this upcoming year.

E-Newsletter of the Edward Albee Society – Goings On in 2015!

If you have been working on an Edward Albee-based project – and that includes scholarly work, essays, reviews, courses, and productions of Mr. Albee’s plays – PLEASE let us know about it, and we’ll include it in our bi-annual newsletter and on our website! Below is what has been happening with EAS this past year:

The Edward Albee Society at Conferences:

2015 was a busy one for the Edward Albee Society. In March, David Crespy presented a paper and chaired a panel sponsored by EAS at the Mid-America Theatre Conference in Kansas City, Missouri. The same month, Natka Bianchini chaired an EAS panel at the Comparative Drama Conference in Baltimore, Maryland. She also represented the society during the conference’s plenary session on Visions of Tragedy in American Theatre. The remarks from that plenary will be published in next year’s volume of Text and Presentation, and are currently being expanded into an anthology to be published by Bloomsbury Press in 2017. Finally, David Crespy chaired a session sponsored by EAS at the American Literature Association in May in Boston, Massachusetts. We are looking forward to strong representation for 2016 conferences. West Coast Members, please see our call for ALA, which is being held in San Francisco next May, below!

And here is the call for ALA to send to the society members. We’d love to see you at the American Literature Association!

Edward Albee Society CALL FOR PAPERS

American Literature Association
May 26-29, 2016
San Francisco, California

The Edward Albee Society is seeking panelists to deliver papers on any aspect of Albee’s life and work at the forthcoming American Literature Association conference in San Francisco. Papers should be 15 minutes in length and presenters will have access to AV equipment during their session. If interested, please submit a 250-word abstract to Dr. Natka Bianchini, Albee Society Conference Planner and Vice President, at nbianchini@loyola.edu by Monday, January 25th, 2016. Please include name, affiliation, and contact information with your submission.

—- Help us expand our presence by proposing panels and working with our conference coordinator and Vice-President Natka Bianchini (nbianchini@loyola.edu).

The Edward Albee Society on the Internet:

The Edward Albee Society Website features a bibliography of scholarly books about Albee and a chronological list of his works with links to summaries and analyses of his most prominent plays. We continue to add resources for scholars, teachers, theatre artists, and fans to the Edward Albee Society website (e.g., mini-articles on Albee’s plays). The website now allows you to pay membership dues or to make a donation to the EAS using PayPal. The EAS Facebook page has nearly 300 likes, and we continue to post information about upcoming or recent productions and Albee panels at academic conferences.

EAS website editor and board member Lincoln Konkle will be teaching an upper-level undergraduate seminar on Albee and Gender & Sexuality during the spring 2016 semester.

Look for our new “members only” content to start up in 2016 – and we need more members to help alert us to Albee productions, conference panels, and other events of interest for our Facebook and web pages. Contact Lincoln Konkle (konkleli@tcnj.edu) for more information about how you can get involved!

The Edward Albee Review (now New Perspectives in Edward Albee Studies)

The first volume (edited by Michael Y. Bennett), Edward Albee and Absurdism, in the new book series, New Perspectives in Edward Albee Studies—the official publication of the Edward Albee Society, and published by Brill—is coming together in its final form and will be published by the end of 2016.

The second volume (edited by John M. Clum and Cormac O’Brien), Edward Albee and Gender/Sexuality, is currently accepting articles on the topic, but is in particular need of two lengthy review-essays, each one 15-20,000 words:

1) a review-essay that synthesizes, characterizes, and complicates the history of Albee criticism related to the topic of gender/sexuality, and

2) a review-essay that synthesizes, characterizes, and complicates the history of performance reviews of Albee’s plays as they relate to the topic of gender/sexuality).

The review-essays are particularly good essays for advanced graduate students and/or recent PhDs on the job market. If you would like to write one of the review-essays or know of an advanced grad student or recent PhD/MFA graduate that would be well suited and qualified to write one of these review-essays, please direct your inquiries and/or questions to John M. Clum (jclum1941@gmail.com), Cormac O’Brien (cormac.obrien@ucd.ie), and/or the Series Editor, Michael Y. Bennett (bennettm@uww.edu). Also, feel free to inquire about or submit articles to any/all of the above editors at the email addresses provided above.

Editor of New Perspectives in Edward Albee Studies:
Michael Y. Bennett (University of Wisconsin-Whitewater)

Advisory Board:
Linda Ben-Zvi (Tel Aviv University)
Natka Bianchini (Loyola University Maryland)
Stephen Bottoms (University of Manchester)
John M. Clum (Duke University)
David A. Crespy (University of Missouri)
Norma Jenckes (University of Cincinnati)
Philip Kolin (University of Southern Mississippi)
Lincoln Konkle (The College of New Jersey)
Brenda Murphy (University of Connecticut)
Matthew Roudané (Georgia State University)

Upcoming Volumes:
Volume #1 ­ “Albee and Absurdism” (2016)
Volume #2 ­ “Edward Albee and Sexuality/Gender” (2017)
Volume #3 ­ “Edward Albee as a Theatrical and Dramatic Innovator” (2018)
Volume #4 ­ “Edward Albee’s Influence on American Drama”
Volume #5 ­ “Edward Albee’s Own Influences”

The purposes of the Albee Society are the exploration of Albee’s life and works by means of historical and critical writing, artistic performances on stage, film, television, radio and recordings, by the amassing of historical documentation, and by publications and conference presentations devoted to Albee and his plays. The subjects of study shall include not only Albee and his works, but all aspects of the American and World Theatre he has affected by his own work in theatre as a playwright, director and producer. Furthermore the Albee Society will support efforts that affirm the notion of drama as literature, and encourage projects that support new dramatic work by new playwrights, as an extension of Edward Albee’s own Playwrights Unit, which he founded in 1963 with his producing partners Richard Barr and Clinton Wilder. We are affiliated with New York City’s Cherry Lane Theatre under the artistic direction of Angelina Fiordellisi.

Please pass this email along to your colleagues and any family or friends who are fans of Albee so that we may build our membership! And if you know any major theatre artists or producers or other luminaries whom you think might assist us in funding, please let me know!

LIFETIME MEMBERS OF THE EDWARD ALBEE SOCIETY
Robyn Bird
David Crespy
Angelina Fiordellisi
Norma Jenckes
Peter Mayer
Hartley Wright

Our elected officers are:

President & Treasurer: David Crespy
Professor of Theatre
University of Missouri

Vice President: Natka Bianchini
Associate Professor of Theatre
Loyola University Maryland

Secretary: Ashley Gallagher
Teacher, Lawton C. Johnson Summit Middle School
and Theatre Studies M.A. Candidate, Montclair State University

Website Editor: Lincoln Konkle
Professor of English
The College of New Jersey

Editor of New Perspectives in Edward Albee Studies: Michael Y. Bennett
Associate Professor of English
University of Wisconsin-Whitewater

International Secretary: Valentine Vasak
Ph.D. Candidate, Université Paris Sorbonne

Our Board of Directors consists of Brenda Murphy, Lincoln Konkle, Ashley Gallagher, Michael Bennett, and David Crespy.

Thank you for your ongoing support!

Dr. David A. Crespy
Professor of Playwriting, Acting, & Dramatic Literature
Artistic Director, Missouri Playwrights Workshop
Co-Director, MU Writing for Performance Program
President, Edward Albee Society

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